same here, I haven't seen her live so I'm judging on grounds of bootlegs and vids.
All Neon Like to me sounds even better than the original studio and homogenic tour versions: the beats first left me mindf***ed (probably because of the audio quality), but then I started to appreciate and eventually adore them; strings fit perfectly as always; and even her lower-key vocals, together with her putting stress on the "I'll heal you" line had made me reconsider and love even more this beautiful song.
Come to Me has acquired some darker and creepy mood on this tour, and I love that, tho I must say I still prefer the homogenic-mark bell rearrangement.
You probably know how much I adore I See Who You Are, so I was super-excited when I first heard it live on this tour, the strings adds some special touch to the song, and manu's hang is an incredible substitute for Min Xiao-Fen's pipa. And the King's theatre performance with the high notes part...
Wanderlust at first was totally unexpected for me, especially with the strings rearrangement, but the outcome is amazing!
And Unravel, I wish we had the chance to hear this song more, the strings plus backing
vocals plus bjork's lower and more experienced voice have made this song even more passionate and heartbreaking. I still wish we had an official DVD with this song, and this tour rendition seemed the perfect chance to have it filmed. Hope we're going to have more strings-rearrangement in future tours.
other highlights have been hyperballad - I wasn't totally convinced in the govball's perfomance, but that was probably due to the fact that she really sang it as a karaoke song, in fact the later performances have been gorgeous, the only flaw for me being the ending, which I hoped to be less disco and more strings - bachelorette - I was excited when I heard the terrible quality of govball's performance, it sounded like an all-bass trip-hop rendition, but the later performances sounded quite similar to the studio version. I probably had to experience this one live - and pleasure is all mine - we've finally had a gorgeous rearrangement of this song (I didn't really like the
and
ones ), the strings fit perfectly, but the vocals didn't really convince me in some performances, except maybe the last ones when she sang those higher parts with low, different notes.